李智良於《房間》出版十二年後，再度結集短篇小說。《渡日若渡海》游走於城巿廢墟般的空間，出入於各種莫名速度，處處是被拘囿的身體，被文本以各種方式介入，從主體到他人，觸及寫作的不可能之邊際。在一切艱難中讀之，珍愛之情於心湧動。

Lee Chi-Leung’s Days We Cross is a collection of short stories in which the author tries to unfold the unspeakable, neglected corners of our beloved city. From oneself to the others, the book constantly challenges the limitation of the human body and mental state in the city as well as searching for the possibility of literary writing.